Scriptures Formats

Knowledge and organization of knowledge are two different aspects of pure knowledge. One of the beautiful features of Vedic scriptures is that their knowledge is organized on geometric formats of real four and higher dimensional spaces. One sequence of such formats have been communicated by Dr. S. K. Kapoor during his interaction with other scholars. Here these are being reproduced in the form and sequence these have been taken up during this interaction:

Scriptures Format 1:

OM

Om is one syllable scripture complete in itself. The past, present and future and all that transcends three folds of time is verily Om. This way the sole syllable expresses as four folds scripture complete in itself exhaustively covering the past, present and future and all that transcends the three folds of time on tetra-monad format.

Source scripture: Mandukyo Upanishad.

Scriptures Format 2:

VED

Ved means knowledge; the whole range of knowledge. This the whole range of knowledge as one Ved was reorganised by Brahm-Rishi Ved Vyas into four Veds: Rig Ved, Yajur Ved, Sam Ved and Atharv Ved. Literally Vyas means diameter of a circle (a representative regular body of 2-space which in the role of dimension manifests as 4-space.

The organization of one Ved as four Veds is parallel to the one syllable Om unfolding on tetra-monad format i.e. as an expression of four folds. With this shift to a diameter, there is a shift from a monad (linear order) to di-monad (spatial order). This gives expression for 1 as 01 whose reflection member is 10 i.e. ten.

The above shift from 1 to 10 in that order and sequence, gives us:

(1) 10+01+10 = 21, the total number of branches of Rig Ved.

(2) 10×10+01×01 = 101, the total branches of Yajur Ved

(3) 10×10×10 = 1000, the total branches of Sam Ved

(4) 10–01 = 9, the total branches of Atharv Ved

Source scriptures: Upanishads (as this knowledge is overflowing in Upanishadic literature with specific mentions at many places, as such the individual references which are large in number are being mentioned as such and they collectively are being expressed as the source scriptures being Upanishads. The other Vedic literature like Purans and Upangas also prominently enlighten about it).

Scripture Formats 3:

IDOL OF LORD BRAHMA

Lord Brahma, the creator the supreme, is the four heads Lord, with each head equipped with two eyes. He sits majestically on lotus seat of eight petals and meditates in cavity of his heart on his Lord, Lord Shiv and multiplies himself as ten Brahmas.

The idol of Lord Brahma as of four heads Lord, with two eyes in each head, sitting on lotus seat of eight petals and meditating upon his Lord, Lord Shiv, in the cavity of his heart, as such, accepts the format of hypercube-4 whose four folds are 2-space in the role of dimension (parallel to two eyes in each head), 3-space in the role of boundary (parallel to eight components of boundary of hypercube-4 and eight petals of the lotus seat of Lord Brahma), 4-space in the role of domain (parallel to the domain of four heads Lord) and 5-space in the role of origin (parallel to the seat of Lord Shiv, five heads Lord, in the cavity of the heart of Lord Brahma).

Source scriptures: Upanishads, Puranas, Yog Vashishta (This enlightenment about Lord Brahma is overflowing the large number of Vedic scriptures.)

Scripture Formats 4:

IDOL OF LORD SHIV

Lord Brahma, the creator the supreme, is the four heads Lord, with each head equipped with two eyes. He sits majestically on lotus seat of eight petals and meditates in cavity of his heart on his Lord, Lord Shiv and multiplies himself as ten Brahmas.

The idol of Lord Brahma as of four heads Lord, with two eyes in each head, sitting on lotus seat of eight petals and meditating upon his Lord, Lord Shiv, in the cavity of his heart, as such, accepts the format of hypercube-4 whose four folds are 2-space in the role of dimension (parallel to two eyes in each head), 3-space in the role of boundary (parallel to eight components of boundary of hypercube-4 and eight petals of the lotus seat of Lord Brahma), 4-space in the role of domain (parallel to the domain of four heads Lord) and 5-space in the role of origin (parallel to the seat of Lord Shiv, five heads Lord, in the cavity of the heart of Lord Brahma).

Source scriptures: Upanishads, Puranas, Yog Vashishta (This enlightenment about Lord Brahma is overflowing the large number of Vedic scriptures.)

Scripture Formats 5:

INCARNATIONS OF LORD VISHNU

Lord Sakand is incarnation of Lord Vishnu. Lord Sakand a six heads lord with four eyes in each head and twelve long arms, is the incarnation of Lord Vishnu. Lord Sakand establishes the transcendental worlds by meditating upon eternity, eternally sustained by Dhruva (pole star).

This description is parallel to the description of hypercube-6 with 4-space (parallel to four eyes in each head) in the role of dimension, 5-space in the role of boundary, 6-space in the role of domain and 7-space in the role of origin. The other incarnations of Lord Vishnu accepts this format.

Source scriptures: Upanishads, Puranas, Yog Vashishta (This enlightenment about Lord Shiv is overflowing the large number of Vedic scriptures.)

Scripture Formats 6:

MEASURE AND MEASURING-ROD

Lord Vishnu is the god of measuring-rod and Lord Brahma is the god of measure.

The Lord Vishnu is the overlord of real 6-space and Lord Brahma is the overlord of real 4-space.

Real 4-space plays the role of dimension of real 6-space. As such while the measuring-rod is constituted by domain (6-space), the measure remains at the dimension (4-space).

Source scripture: Manasara and other Sthapatya Upved literature.

Scripture Formats 7:

SHAD-CHAKRA FORMAT OF HUMAN BODY

Vedic (Upanishadic) enlightenment is that human body admits Shad (six) Chakras (circuits) format. The external characteristics of the Shad-Chakras are 2, 4, 6, 8, 10 & 12.

The external characteristics of Shad-Chakras of human body are parallel to the number of boundary components of hypercubes-1, 2, 3, 4, 5 & 6.

This format of Shad-Chakras is the format of the order of 6-space whose presiding deity is Lord Vishnu. The creator-the-supreme, Lord Brahma, overlord of real 4-space as such is the presiding deity of the measure of the human body.

Source scripture: Upanishads and Darashan Shastra

Scripture Formats 8:

ORGANIZATION OF KNOWLEDGE OF SRI VISHNU PURAN

Sri Vishnu Puran is a scripture of 6 Ansha (parts). The organization of knowledge of all the six Ansha of Sri Vishnu Puran is of 126 chapters.

This organization of knowledge is as per the measuring-rod and the Shad-Chakra format of human body as sustained within the Vishnu-lok (6-space domain)

On the artifices of whole numbers this organization admits expression as:

6×(1+2+3+4+5+6) = 6×21 = 126.

Source scripture: Sri Vishnu Puran Samhita

Scripture Formats 9:

VISHWA- RUPA

Shatpath Brahman preserves the enlightenment : Tawastha had one son. He had three heads and six eyes. And three mouths. So was his form (Rupa). That is why he was named - Vishwa Rupa (form of the world).

This is parallel to the world of three dimensions and domain-boundary ratio of the representative regular body of 3-space being A3:6A2. The enlightenment preserve in the Shatpath Brahman as such is the enlightenment about the geometric setup of the representative regular body of 3-space. Being a representative regular body so is the representative form of the dimensional space / world.

Source scripture: Shatpath Brahman (Kanda 1, Adhayaya 6, Brahman 3, Shaloka 1)

Scripture Formats 10:

TRISHAPTA (3 AND 7)

"Yeh Trishapta Paryani Vishwa" (This world is enveloped by Trishapata i.e. 3 and 7). Parallel to it is that 3-space has 7 geometries of signatures (0, 1, 2, 3, 4, 5, 6) corresponding to the cube with no surface plate, cube with 1 surface plate, cube with 2, 3, 4, 5 & 6 surface plates respectively.

Source scripture:Atharv Ved Samhita (1.1.1.1)

Scripture Formats 11:

ONE, TWO, THREE AND EIGHT

Swateshawara Upanishad preserves the enlightenment that sequential order 1, 2, 3 and 8 leads to Moksha (liberation). Parallel to it is that on the artifices of whole numbers, the sequence 1, 2, 3 and 8 gives us 1×1, 1×2, 1×3 and 2×4. Parallel to it on geometric formats the message is that the order of linear dimensions works uptil first three dimensions and a step ahead is the world of spatial dimensions. In other words while 3-space admits linear dimensions, the 4-space admits spatial dimensions.

Source scripture:Swateshwara Upanishad

Scripture Formats 12:

03 TO 13

The Sushmana-Nari is the central nerve which runs through and coordinates the Shad Chakra of human body accepts the measuring-rod constituted by hypercubes-1 to 6. It means that starting with the close interval and reaching uptil hypercube-6 is the range which constitutes the measuring-rod for the Sushmana-Nari running through the Shad Chakras.

The hypercube-1 (close interval) as representative regular body of 1-space accepts three versions of interval parallel to three geometries of 1-space. The hypercube-6 as representative regular body of 6-space accepts 13 versions parallel to the 13 geometries of 6-space.

Lord Vishnu is the presiding deity of the measuring-rod being the overlord of 6-space. Srimad Bhagwad Gita is the divine song of Lord Krishna, the incarnation of Lord Vishnu. Each of the chapters of Srimad Bhagwad Gita is precisely accepting the measuring-rod with Lord Vishnu as its presiding deity and as such each chapter opens with 3 words title and ends with 13 syllables Pushapika (colophon) parallel to the three geometries of 1-space to 13 geometries of 6-space.

Source scripture:Upanishads, Ur-Mahabharatam and Srimad Bhagwad Gita

Scripture Formats 13:

120 YEARS CYCLE

The Jyotish Shastra accepts 120 years cycle for the planets' effects upon human life. This is the geometric organization of 4-space in the role of dimension creating 6-space as domain with complete coverage for the boundary of this domain with 120 hypercubes-4.

This is there as A6:12A5 is the domain-boundary ratio of hypercube-6 and further B5:10C4 is the domain-boundary ratio for each of the boundary components. With this, the 12 boundary components of hypercube-6 get enveloped within 12×10=120 hypercubes-4.

Alternatively, 4-space itself being a spatial dimensional set up, it gives us arrangement for 120 = 60+60 and further 60=2+8+18+32. It is parallel to the capacity of the orbits of an atom to retain electrons. As such, on either side of the nucleus, the set up admits expression as 2+8+18+32+32+18+8+2 = 120.

Source scripture:Jyotish Shastra and Sthapatya Upved

Scripture Formats 14:

13-EDGED CUBE IS HYPERCUBE-4

Within hypercube-4, the 12-edged cube has one degree freedom of motion along the fourth dimension. As such 12-edged cube gets fixed in 4-space as 13-edged cube. The 13th edge of the cube is supplied by the fourth dimension. Because of the spatial dimensional character of the dimension of 4-space, the 13th edge permits motions of a cube with a spatial pivot. The motion of the cube as a whole in reference to such pivot is the unique cosmic arrangements like that of pole star. The Pushpikas (colophons) beneath all the 18 chapters of Srimad Bhagwad Gita enlighten us about the 6×3=18 different ways of outward motions along all the three dimensions from all the six surfaces of the cube.

Source scripture:Scriptures with organizations of artifice of whole number 13, like the Pushpikas of Srimad Bhagwad Gita, The Ashta-Vakra Gita and Srimad Durga Saptsati which is a scripture of 13 chapters.

Scripture Formats 15:

THINGS TRANSFORM JUST WITH THE ATTENTION AT THE ORIGIN-I

Things transform just with the attention at the origin. Let us have attention at the centre of cube / origin of 3-space and everything starts transforming; the cube splits into 8 sub-cubes and 3-space splits into 8 octaves. The origin accepts 8 sub-cubes / 8 octaves enveloping. The 4-space flourishes from within at the seat of origin and everything transforms from 3-space to 4-space.

Source scripture:Ashtavakra Gita

Scripture Formats 16:

THINGS TRANSFORM JUST WITH THE ATTENTION AT THE ORIGIN-II

Things transform just with the attention at the origin. Let us have attention at the centre of hypercube-4 / origin of 4-space and everything starts transforming; the hypercube-4 / 4-space splits into 10 components. The origin accepts 10 components boundary enveloping. The 5-space flourishes from within at the seat of origin and everything transforms from 4-space to 5-space.

The scripture (Yog Vashishta) preserves the enlightenment as that Lord Brahma (the overlord of 4-space) when meditates in the cavity of his heart upon his lord, Lord Shiv, Lord Brahma multiplies himself into 10 Brahmas.

Source scripture: Ashtavakra Gita

Scripture Formats 17:

THINGS TRANSFORM JUST WITH THE ATTENTION AT THE ORIGIN-III

With just attention at the origin of 4-space / hypercube-4, the things transform into that of 5-space / hypercube-5 enveloped within ten 4-space / 10 hypercubes-5. As from spatial dimension things transform into solid dimensional order and as 3-space / cube admits split up as 8 octaves / 8 sub-cubes. Therefore, just with the attention at the origin we see simultaneous happening of split up into 10 components boundary and within it as within 8 components boundary. This is parallel to the simultaneous organization of Rig Ved Samhita as a scripture of 10 Mandals and also as of 8 Ashtaks. With this, with just attention, our mundane world set up of 3-space starts transforming as transcendental Vedic world of the order of Rig Ved.

Source scripture:Ashtavakra Gita, Rig Ved Samhita

Scripture Formats 18:

THINGS TRANSFORM JUST WITH THE ATTENTION AT THE ORIGIN-IV:

SIMULTANEOUS INTERNAL AND EXTERNAL EXPANSIONS

With just attention at the origin of a space, say n-space / hypercube-n, the interactive process gets initiated and there follows simultaneous internal and external transformations and expansions to the next higher space set up.

If we just have attention at the set up of a cube, the outer surfaces, as 2×3 boundary components / surface plates, being spatial in organization, as to be set to fly off in the outer space and to dimensionalize it as 4-space. Two of the boundary components together to constitute a di-monad format and the remaining four of them to constitute four spatial dimensions for 4-space. This external transformation and expansion as dimensionalize 4-space is parallel to the internal transformation and expansion at the seat of origin a s 4-space. This way there is parallel internal and external emergence of 4-space.

Likewise, if we have attention at the set up of a hypercube-4, the outer solids, as 2×4 boundary components / solid components, being solid in organization, as to be set to fly off in the outer space and to dimensionalize it as 5-space. Three of the boundary components together to constitute a tri-monad format and the remaining five of them to constitute five solid dimensions for 5-space. This external transformation and expansion as dimensionalize 5-space is parallel to the internal transformation and expansion at the seat of origin as 5-space. This way there is parallel internal and external emergence of 5-space.

Further, if we have attention at the set up of a hypercube-5, the outer hypersolids, as 2×5 boundary components / hypersolid components, being hypersolid in organization, as to be set to fly off in the outer space and to dimensionalize it as 6-space. Four of the boundary components together to constitute a tetra-monad format and the remaining six of them to constitute six hypersolid dimensions for 6-space. This external transformation and expansion as dimensionalize 6-space is parallel to the internal transformation and expansion at the seat of origin as 6-space. This way there is parallel internal and external emergence of 6-space.

In general, if we have attention at the set up of a hypercube-n, the outer hypersolids, as 2×n boundary components / hypersolid components, being hypersolid in organization, as to be set to fly off in the outer space and to dimensionalize it as (n+1) space. (n–1) of the boundary components together to constitute a {(n–1)-order} monad format and the remaining n+1 of them to constitute n+1 hypersolid dimensions for (n+1) space. This external transformation and expansion as dimensionalize (n+1) space is parallel to the internal transformation and expansion at the seat of origin as (n+1) space. This way there is parallel internal and external emergence of (n+1) space.

Source scripture:Ashtavakra Gita, Sthapatya Upved literature

Scripture Formats 19:

THINGS TRANSFORM JUST WITH THE ATTENTION AT THE ORIGIN-V:

COMPACTIFICATION AT THE ORIGIN

With just attention at the origin sequentially the simultaneous inward and outward expansion would unfold the compactification of whole range of dimensional spaces at thc origin.

The attention at the origin of 3-space would initiate the interaction process of the mind and everything would start transforming and there would emerge simultaneous, inward and outward expansion of 4-space. With this, 3-space / cube as such shall be having placement at the origin and there emerging outward and inward, and as such all around, 4-space in its display. It may be expressible as 4, 3, 4. Three space at the centre and 4-space on its either side. The further attention would transform the very interactive process as much as that while on the one hand the attention would get centered at the origin of 4-space which would expand it outward as well as inward as 5-space and on the other hand the previous stage expression of 3-space at the centre and 4-space around would set into initiation for the 3-space with available degree of freedom of motion to play the role of dimension and as such there would be dimensionalization of 5-space. This simultaneous unfoldment, transformation and expansion as {(4, 3, 4) and (4, 5, 4)} and in general {(n, n–1, n) and (n, n+1, n)} is uniquely there because of the compactification at the origin of whole range of real spaces. (The spaces where n-space plays the role of dimension of n+2 space).

Source scripture:Yog Shastra and Sthapatya Upved literature

Scripture Formats 20:

THINGS TRANSFORM JUST WITH THE ATTENTION AT THE ORIGIN-VI:

CONTINUITY MAINTAINED BY BRIDGING OF GAPS

The Sushmana-Nari is the central nerve which runs through and coordinates the Shad Chakra of human body accepts the measuring-rod constituted by hypercubes-1 to 6. It means that starting with the close interval and reaching uptil hypercube-6 is the range which constitutes the measuring-rod for the Sushmana-Nari running through the Shad Chakras.

The hypercube-1 (close interval) as representative regular body of 1-space accepts three versions of interval parallel to three geometries of 1-space. The hypercube-6 as representative regular body of 6-space accepts 13 versions parallel to the 13 geometries of 6-space.

Lord Vishnu is the presiding deity of the measuring-rod being the overlord of 6-space. Srimad Bhagwad Gita is the divine song of Lord Krishna, the incarnation of Lord Vishnu. Each of the chapters of Srimad Bhagwad Gita is precisely accepting the measuring-rod with Lord Vishnu as its presiding deity and as such each chapter opens with 3 words title and ends with 13 syllables Pushapika (colophon) parallel to the three geometries of 1-space to 13 geometries of 6-space.

Source scripture:Upanishads, Ur-Mahabharatam and Srimad Bhagwad Gita

Scripture Formats 21:

VYKATA, AVYAKATA, AVYAKATO-AVAKATAT AND PURUSHA #1

Srimad Bhagwad Gita preserves the enlightenment of the order of the Reality as Vyakta, Avyakata, Avyakto, Avyakato-avyakatat and Purusha.

Vyakta means expressed. It is the expressed world, Vishwa, 3-space.

Avyakata means unexpressed which is yet to manifest in the Vishwa, 4-space world.

Avyakato-avyakatat means which is at the base of Avyakata. It is the transcendental base, a 5-space world.

Purusha is fully expressed transcendental consciousness within human frame. It is the consciousness world of Atman (soul) domain, Vishnu-lok, the Purusha in the Surya (sun), the 6-space reality.

Source scripture:Upanishads, Brahm Sutra, Srimad Bhagwad Gita

Scripture Formats 22:

VYKATA, AVYAKATA, AVYAKATO-AVAKATAT AND PURUSHA #2 :

13-EDGES CUBE WITHIN DOMAIN OF HYPERCUBE-4

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The above format gives us 8 solid components of the boundary of hypercube-4 and the 12-edged cube gets fixed along the degree of freedom available to it within domain of hypercube-4 and as such manifest as 13-edged cube. There being a degree of freedom of motion along each of the four dimension of 4-space, as such there are 4 different ways for fixation of 13-edged cube within the domain of hypercube-4 and hence within 4-space. Otherwise as the 4-space itself is a spatial dimensional space, as such we get first format for the Great debate of enlightenment and knowledge within the kingdom of King Janak where everybody except Ashtavakra were held up at two fixations for the artifice of whole number 13 while Ashta Vakra won the debate by completing all the four fixations for the artifice of whole number 13.

Source scripture:Story of enlightenment of Ashtavakra

Scripture Formats 24:

VYKATA, AVYAKATA, AVYAKATO-AVAKATAT AND PURUSHA #4:

32 EXTERNAL GODS AND 13 INTERNAL GODS

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Sthapatya Ved literature preserves the arrangement of 32 external gods and 13 internal gods. The format for these 45 external and internal gods is provided by the hypercube-4, the format of the Idol of Lord Brahma, creator the supreme.

A4 : 8B3 gives us that within 4-space, the 8 boundary components would get fixed with 8×4=32 coordinates. This together with the fixed 13-edged cube within the domain would provide an arrangement of 32+13=45 fixations.

The above organization of the format of hypercube-4 with the availability of 45 characteristics arrangements would help us comprehend the enlightenment of Ur-Mahabharatam about the text of Srimad Bhagwad Gita as that this text is of 745 Shalokas out of which 700 Shalokas are the expressed Shalokas while 45 are the unexpressed Shalokas. The available text of Srimad Bhagwad Gita with us is the text of 700 Shalokas and the remaining 45 unexpresed Shalokas remain unmanifest in this world and these are lively and available at the format beneath.

Source scripture:Gita Pariman Shaloka of Bhishma Parva of Ur-Mahabharatam and Sthapatya Ved literature.

Scripture Formats 25:

VYKATA, AVYAKATA, AVYAKATO-AVAKATAT AND PURUSHA #5:

32 INSTALLATION OF SHIV LINGAM AT THE CENTRE OF MYSTIC SYMBOL

Sri Shiv Puran preserves the enlightenment as that Shiv Lingam is to be installed at the centre of the mystic symbol. The mystic symbol is the format of the Idol of Lord Brahma, the creator the supreme. Shiv Lingam is the solid dimensional expression of the Shiv Lok (5-space). The centre of the mystic symbol is the center of hypercube-4 / origin of 4-space. The origin of 4-space is the seat of compactification of dimensional spaces from 5-space onwards. The Shiv Lingam emerges from within the origin.

Source scripture:Sri Shiv Puran

Scripture Formats 26:

DESCRIPTION OF THE WHEEL OF CAUSE BRAHMAN #1

Sawteshwara Upanishad describes the wheel of cause Brahman as of 1 (Nemi), 3 (Vrit), 16 (Antah), 50 (Aras), 20 (Pratya), 6 (Ashtak), 1 (Pash, Vishwarupa), 3 (Marg), 2 (Paap, Punya) and 1 (Karan). The artifices of whole numbers availed in that sequence are: 1, 3, 16, 50, 20, 6, 1, 3, 2, 1.

Artifices of whole numbers 1 & 3:

One as 1-space in the role of dimension creates 3-space.

Artifice of whole number 16:

The tri-monad, a monad of 3 parts, and an interval of 3 parts gives us 16 versions as:

(1) close interval when is split into three parts, it gives us 4 versions as:

(a) close interval, open interval, close interval

(b) close interval, half close interval, half close interval

(c) half close interval, half close interval, close interval

(d) half close interval, open interval, close interval

(2) half-close interval (with second end point missing) when is split into three parts, it gives us four versions as:

(a) close interval, open interval, half close interval

(b) half close interval, half close interval, half close interval

(c) half close interval, close interval, open interval

(d) close interval, half close interval, open interval

(3) half-close interval (with first end point missing) when is split into three parts, it gives us four versions as:

(a) half close interval, open interval, close interval

(b) half close interval, half close interval, open interval

(c) open interval, close interval, half close interval

(d) open interval, half close interval, close interval

(4) open interval when is split into three parts, it gives us four versions as:

(a) half close interval, open interval, half close interval

(b) half close interval, half close interval, open interval

(c) open interval, close interval, open interval

(d) open interval, half close interval, half close interval

Artifice of whole number 50:

3-space in the role of dimension creates 5-space and as such 10×5=50 coordinates of solid dimensional frame are required to fix the boundary of 5-space constituted by 10 hypercubes-4.

Artifice of whole number 20:

The domain-boundary fixation of hypercube-5 can be had in terms of the artifice of whole number 20 which admits arrangement and organization as 20=5×4.

Artifice of whole number 6:

The origin of hypercube-5 is the seat of 6-space and as such origin of hypercube-5 admits fixation in terms of the artifice of whole number 6.

Artifice of whole number 1, 3, 2 & 1:

The origin of origin of hypercube-5 is the seat of 7-space. The artifices of whole numbers 1, 3, 2 & 1 together are the arrangement of the artifice of whole number 7. Going from the artifice of 1 to the artifice of 3 is the going from dimension to domain and going from 1 to 2 is going from the dimension to the boundary.

The above expression of the wheel of "cause Brahman" takes us uptil the origin of the origin of the transcendental world of 5-space.

Source scripture:Swateshwara Upanishad (Chapter 1 Mantra 4)

Scripture Formats 27:

DESCRIPTION OF THE WHEEL OF CAUSE BRAHMAN #2

Sawteshwara Upanishad describes the wheel of cause Brahman as of 1 (Nemi), 3 (Vrit), 16 (Antah), 50 (Aras), 20 (Pratya), 6 (Ashtak), 1 (Pash, Vishwarupa), 3 (Marg), 2 (Paap, Punya) and 1 (Karan). The artifices of whole numbers availed in that sequence are: 1, 3, 16, 50, 20, 6, 1, 3, 2, 1. In the reverse order the artifices of whole numbers give us the sequence as 1, 2, 3, 1, 6, 20, 50, 16, 3, 1. This sequence admits expression as: 1, 2, 3, 4=1, 4 leads to 6, 6 leads to 9+7+3+1, 4*5=20 leads to 5-space with 4-space boundary and 5*(1+2+3+4)=50 solid points fixation of boundary, the tri-monad format of solids gives us 6-space at the centre of 5-space as 5+6+5=16 and 3 as tri-monad format and 1 as the linear order of 3-space.

On Om formulation, which is the basic formulation for organization on 4-space format, sequentially the above artifices of whole numbers leads to the following phases of organization of the wheel of Cause Brahman.

The phase of artifices of whole numbers 1, 2, 3, 4 and 1, 2, 3, 1 :-

The phase of artifice of whole numbers 6:

The phase of artifice of whole number 20:

The phase of artifice of whole number 50:

The phase of artifice of whole number 16:-

The phase of artifice of whole number 3:-

The phase of artifice of whole number 1:-

Source scripture: Swateshwara Upanishad

Scripture Formats 28:

GORAKSHAKO UPANISHAD (ENLIGHTENMENT OF PROTECTION OF ETERNAL GLOW) #1

Gorakshako Upanishad is the source scripture of the Nath sect. Guru Gorakshanath, the incarnation of Lord Shiv is the author of this scripture. This scripture is also known as Sidha Sidhanta Padhati. This is a scripture of 6 Upadeshas (enlightenment). The scripture range is of 353 Shalokas. The split up of this range is as of 73, 39, 13, 29, 84 and 115 Shalokas. The titles of the six Upadeshas are:

  • Pinda Utapatti (73 Shalokas range): Pinda means body and Utapatti means emergence. As such the simple English rendering for the title of first Upadesha is "Emergence of Body". The enlightenment of this Upadesha is the enlightenment is the emergence of human body. This enlightenment is organised on the geometric format of 73 Shalokas range. The artifice of whole number 73 has been well utilised for the organisation of this Upadesha
  • Pinda Vichaar (39 Shalokas range): Pinda means body and Vichhar means the deep thought. As such the simple English rendering for the title of second Upadesha is "Deep thought about the body". This enlightenment is about the basic characteristics of the geometric format for the life flow within the human body.
  • Pinda Samviti (13 Shalokas range): Pinda means body and Samviti means knowledge. As such the simple English rendering for the title of third Upadesha is "Knowledge of human body". This enlightenment is about the basic knowledge of life within the human body.
  • Pinda Adhara (29 Shlokas range): Pinda means body and Ahdara means base. As such the simple English rendering for the title of fourth Upadesha is "The ultimate base of human body". This enlightenment is about the ultimate base of life within the human body.
  • Samras Karanam (84 Shlokas range): Sam means common, Ras means essence and Karanam means ultimate sustenance. As such the simple English rendering for the title of fifth Upadesha is "Common essence of the ultimate sustenance of life". This enlightenment is about the common essence of the ultimate sustenance of life within body
  • Avadhut Yogi Lakshanam (115 Shalokas range): Avadhut Yogi means fully elightened being and Lakshanam means characteristic features. As such the simple English rendering for the title of sixth Upadesha is "The characteristics features of fully enlightened being". This enlightenment takes us to the common ultimate state of enlightenment for the living beings.

Scripture Formats 29:

GORAKSHAKO UPANISHAD (ENLIGHTENMENT OF PROTECTION OF ETERNAL GLOW) #2

Guru Gorakhnath, the author of the Upanishad is incarnation of Lord Shiv, the overlord of real 5-space. Therefore, the basic format for the organisation of the scripture gets fixed as of hypercube-5 / real 5-space.

Gorakshako Upanishadic text is of 353 Shalokas range. The artifice of whole number 353 is unique in many ways and it, in the light of the enlightenment of the scripture and the organisation format beneath, helps us reach at the basic geometric lock of manifestation of human body.

It is like the emergence of real 5-space at the origin of affine 3-space. The origin of affine 3-space is the seat of real 4-space and as such the transcendence and emergence at this seat is there because of real 5-space being at the base of this seat. The real 5-space itself being a solid dimensional space, this (solid dimensional order) as such locks the seat and the emerging geometric continuum locks the existence phenomena.

This phenomenon of locking and unlocking at the base of the origin of affine 3-space is the basic phenomenon whose comprehension and chasing is to provide us the enlightenment of the manifestation of human body and transcendence therefrom. This life phenomenon is the phenomenon of eternal glow whose protection within the human body is the subject matter of enlightenment of this Upanishad. One name for this discipline may be the discipline of geometry of Vedic genetic engineering.

Scripture Formats 30:

GORAKSHAKO UPANISHAD (ENLIGHTENMENT OF PROTECTION OF ETERNAL GLOW) #3

Guru Gorakhnath (Gorakshnath), the author of the Upanishad, is the incarnation of Lord Shiv and with it the basic format for organisation of the scripture is settled as hypercube-5 / real 5-space.

Om Namah Shivai is the basic Mantra of enlightenment of Lord Shiv. Om is sole-syllable, Namah is a pair of syllables and Shivai is a composition of three syllables. With this, this is the enlightenment of artifices of whole number 1, 2 & 3 and parallel to it 1-space, 2-space and 3-space and finally a tri-monad format and so the solid dimensional order takes us to real 5-space.

The artifices of whole numbers 1, 2 & 3 together also give us 1+2+3 = 1×2×3 = 6. Simultaneously, we have 6 non-negative geometries of 5-space. This as such helps us to reach at the organisation of the scripture as 6 Upadeshas parallel to the artifice of 6 supplied by the basic Mantra as well as the available 6 non-negative geometries of 5-space.

Scripture Formats 31:

GORAKSHAKO UPANISHAD (ENLIGHTENMENT OF PROTECTION OF ETERNAL GLOW) #4

The enlightenment of Gorakshako Upanishad is the enlightenment of Shiv-lok and is the glow of Sri Shivpuran.

Sri Shivpuran preserves the enlightenment as that the gods who were proud of their powers were made to realise the limits of their powers by Lord Shiv as that they were even not capable of making a split of even the blade of grass.

This is precisely the Shloka 26 of Chapter 16 of Satrudra Samhita and it reads as:

"If you are proud and think that you know your strength to be great, O gods, split this blade of grass placed by me, with your own weapons."

The geometric and algebraic message here is that when we creates structures with the help of a binary composition then the elements of the set at first operation give us the composition elements of the form c=a×b. Then when further we operate such composite elements and the resultant elements d = c1×c2 then d takes us uptil the boundary of a 3-space. The domain of 3-space remains untouched though wrapped within the composed elements.

It is because of it that the blade of grass as a solid remains un-split.

This enlightenment and message deserves to be comprehended well to appreciate as to why our set theory approach is creating mathematical knots and while we get dodged and feel as if we can have space filling curves and why the situations like that of everywhere continuous but nowhere differentiable functions and also the situations like the hypercubes-8 onwards creating a decreasing value sequence at all arise for us and we are not in a position even to logically catch as to why this all is happening. This impossibility to split a blade of grass is the proposition and situation at the base of Fermat's Last Theorem and similar like mathematical problems of the day.

Scripture Formats 32:

GORAKSHAKO UPANISHAD (ENLIGHTENMENT OF PROTECTION OF ETERNAL GLOW) #5

The organisation of the Upanishad as 6 Upadeshas admits arrangement for its 353 Shalokas as 73, 39, 13, 29, 84 and 115. This arrangement is there because of the following format beneath because of the geometries of 0, 1, 2, 3, 4 & 5. Here is drawn the arrangement:

Scripture Formats 33:

GORAKSHAKO UPANISHAD (ENLIGHTENMENT OF PROTECTION OF ETERNAL GLOW) #6 : SELF-REFERRAL STATE


Sri Shivpuran Samhita preserves the enlightenment that when Lord Brahma (the presiding deity of 4-space) and Lord Vishnu (the presiding deity of 6-space) are face to face and are interacting to know the Brahman, there emerges Lord Shiv (the presiding deity of 5-space) in between them as an infinite pillar of fire (Agani Tatva; the third basic element with Prithvi (earth) as first and Jal (water) as the second).

The geometric message of this enlightenment is that when we are in a Creator's space (the spatial order space), 4-space plays the role of dimension for 6-space as domain and the place for the boundary is in between them and it is played by 5-space. The boundary which envelops within itself the domain is zero as far as the domain grains are concerned. This role of boundary to be zero qua the domain grains is there through out and it is so as within spatial order, 1-space admits -1 space as its dimension and 0-space iin the role of the boundary with 2-space as the origin.

This organisation because of 2-space in the role of origin gives us the arrangement because of which there emerges splitting of the positive and negative orientation of 1-space and hence of the interval, and as of the infinite line. This splitting of the orientations as positive and negative orientations makes them as absolutely different worlds as much as that the positive orientations takes us to +1 space and the negative orientations takes us to -1 space. With this, there automatically emerges a jump over a 0-space. In other words, 0-space marks its presence of its own and its emergence is spontaneous and is always there even if remains latent in between the positive and negative orientations. This is the self-referral state. The positive orientations as 1-space and further in the role of dimension of 3-space gives us as many as 7 geometries for 3-space. Likewise the change of orientation would take us from -1 space to -3 space but in a reverse order as much as that -1 space would become the domain and -33 space as the dimension. The 7 geometries here for -3 space and then the continuity from -3 space to +3 space with 0-space in between -1 space and +1 space gives us two parallel set ups like the pair of objects with their reflection images and because of it a self-referral state makes it possible to have self-evaluation and self-appraisal of one's knowledge and it is there at the format of the division of the brain within human heads as of left and right parts.

The enlightenment of Sri Shivpuran from the stage of emergence of Lord Shiv as infinite pillar of fire in between Lord Brahma and Lord Vishnu goes further as that both Lord Brahma and Lord Vishnu interacted and asked as to what this form is there and when both showed ignorance about it to each other they decided as that one should go upward and try to know uptil which the pillar takes and the other should go downward and try to know uptil what it takes to. Both had tried and realized that it was not possible to scale the pillar.

This enlightenment made them realized the transcendental state of Lord Shiv (the presiding deity of real 5-space) and both of them attained self-referral state and ultimately the transcendental state and realized that it was not sufficient only to go upward and the going upward and going downward were two different organizations and arrangements and those can be known only with reference to the orientation free state of 0-space emerging between the positive and negative orientations spaces.